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Professional acting enquiries:
Please contact...

James Bryce
c/o PLA Scotland
5 Union Street
Edinburgh
EH1  3LT
Tel:  0131-478-7878
Fax: 0131-478-7070
edinburgh@pla-uk.com
london@pla-uk.com

Musical or writing services:
Please contact:
James Bryce
50c Huntersfield Road
GOREBRIDGE
EH23  4TT
jb@jamesbryce.org.uk

All material © 2002
James Bryce

 
REIKI
If you're in the Aberdeen area, and need a bit of rejuvenation, how about a spot of Reiki?   For more information, contact the Aberdeen Reiki Centre.
www.reikitraining.org.uk

 



MADELEINE SMITH
Very interesting place to visit is Jimmy Campbell's site,  dedicated to the story of Madeleine Smith, the notorious poisoner of Glasgow. You can listen to a full 55 minutes of story.   Catch it at
www.fix.law-firm.co.uk

 



MEETING PLACES

Any songwriters in Edinburgh, check out  The Mound on a Friday, Canongate on a Thursday, and The Blue Blazer on a Sunday.



PHOTOGRAPHER

If you're after a good photographer in the Edinburgh area (as well as a helluva nice guy) Marc Marnis at www.marcmarnie.com is the man.

Really hot on photos of live musicians  - well, pretty hot on most things, really.


This is a page where I can talk about my interests, or things that catch my eye.   It can cover anything: classic cartoons, poems, stories, or whatever I feel like.

A bit of poetry this time,  a short story about Adam and Eve, links to favourite sites...
  

A Quote From Jeremy Hardy
Jack Dee So for you, Jeremy, life began at forty
Jeremy Look - life doesnt begin at forty!...it's just it takes you forty years to realise it's started!

Some sites of interest
Both Adbusters and the Media Education Foundation try to bring a few home truths to the American (and other) consumers.

Some very interesting adverts on the adbusters site which they tried to get televised (only CNN took them up).

Not surprising the general media reaction, considering one is a TV advert urging viwers to "switch off your telly" next week.


www.paulmeier.com  has good insight into phonetics and dialect work.   It is well-illustrated and informative, and strongly recommended.
What Was Given
What was given was a communion dress,
The Sunday gatherings in the other room,
The Saturday juke-box in the American bar,
The veil, a secret cafe on the Anden Levante,
Bass voices behind the door, incense,
The smell of maleness behind the Father's eyes,
His finger on my forehead, the taste of flesh on my tongue.

I, bride of Rome, Mother of Catalunya, Widow of the Sea
Waiting at a distance from the fishermen's bars,
The naked waters where boats once sailed.

Published in A Passion for Poetry (United Press Ltd)

 

Funeral Party
We sit together at our fixed places,
Speaking in gasps. One coaxes the ash-fire,
The women bustle-busy, then silence.
A mumbled grace, the quick eyes, and we dine,
Carefully wiping away all traces
Of yesterday. We rise; the men retire
To a second room, their hush'd voices tense
With comings and goings. We wait for signs.
       Slowly, the blinds are raised, the hearth crackles,
Someone is talking of flowers and sunlight,
A baby cries, a spinster group tackles
The debris of an event.  Doors close. Night.
       The house crouches in shadows. An old man
Stops by the door, falters, and passes on.

 

Valley Train
The Tawe train (one carriage
Stubbornly humping backwards out of Swansea)
Scuttles Welshness along the valley floor
Before nosing - the briefest of sniffs -
The cool English air.
 
Llandeilo, Llangadog, Llanwrda, Llanymdyfri,
Cyndhordi, Llanwrtyd Llangammarch, Garth;
Cilmeri, Builth Wells, Llandrindod, Pen-
y-Bont, Dolau, Llanbister, Llangynllo;
       Cnwclas (Knucklas),  
       Trefyclawdd (Knighton);  

Bucknell,  Hopton,  Broome,  Craven
Arms,  Church Stretton,
Shrewsbury.

Even now, awaiting a new connection, my comfort
The cold familiarity of a common language,
My heart scuttles back to the womb of the valley:
A place where words held no meaning
But the language was music.

 

Pythagoras   Bryce
Pythagoras fumed and said, "Why
Can't I figure these damned radii?
Euclid tells me that angles
Will solve all my wrangles
But that's all just Pi in the sky!

 

  Incorrigible chap, that man Bryce -
On the surface he may seem quite nice,
But his idea of fun
Is to shower one with puns
Don't incorrige him, that's my advice
Adam Outside Eden
He sat for some time watching the flames of the angels, the gradually dimming glow that had been his home.   The woman said nothing, casting an occasional glance at him to try and catch this new thing, meaning, in his eye, searching for the acceptance that had been there before - but there was none.

He sat a long time, his belly heavy at that momentary thoughtlessness.   Part of him - how strange this concept, "part" (he caught these two energies, the habitual and the new, and watched them vie with each other - so alien, so new, almost fascinated, were it not for a sickness which lay deeper, deeper) - that part wanted to blame, blame the figure who now sat a little way off, to scream at her partiality;  but he knew he could not blame: he, he had accepted, acted, devoured this new experience.   He gazed at the glow over Eden, and quietly, imperceptibly, turned the blame and anger in on himself.

"What are you thinking?" she asked.   What a strange concept - "thinking".   What was it?   Before, she had known him utterly, his being was her being, her being his.  This strangeness - this strangeness of not knowing...... 

He grunted.   The sound surprised him.   He found it unpleasant.   She too, noted it and sighed, and caught the sigh with a new unease. 

Only one picture stayed with him:  the life he had just left - with such suddenness, in one quiet moment of forgetting (forgetting?   What was that?   What was there to remember before?   His mind twisted at the incomprehensibility of this) let fly away. 

He turned to her, looking for ........looking for........ Her eyes moved down to the ground, away behind to the wastes which were now their home.   Why was he waiting, this man?

He followed her look.   Nothing.   Nothing.   Nothing.   Nothing.   What was she watching?   

The bleakness sunk deep in his belly, and suddenly caught the hint of a picture in his mind.   What was it?    What was it? 

Ah, yes - Eden...... but so much dimmer now.

He looked up whence he had come and saw indeed that it was much dimmer, barely a memoried haze.   In the picture he felt a need, an urge.

What was it he had to remember?   His mind battled with new pictures:  Eden.    Eden.   Edentree.   Eden.   Edengarden.   Eden.   Walks.   Yes walks.   Eden.   The memory, the feeling of another presence.  What was it?   Who was it?

He breathed hard and deep, and again the picture came in all its fullness.   He held it steady, keeping it taut, ready in his mind;  leapt to his feet and turned, purposefully, doggedly and faced the bleakness, the picture before him.   He moved.

The woman had already set off, stopping occasionally to pick up ..... something, to note - a stone, a root, a trickle. 

On an impulse, he looked back.   What had been a fact was now a thin film.   He jerked the image back into his consciousness, held it a moment, fixed it, then strode on - forward, forward;  she weaving, stopping, gathering.   

He knew now what he had to do:  build, recreate, recapture.   He knew what he had to do.

Was that a glow on the horizon?   He strode on.

The woman was suddenly beside him. 

"Adam?"

"Hmmm?"

"Why rush?   We're going nowhere." 

He didn't reply.   He knew what he had to do. 

"Look what I've found.   See what God has provided."   She opened her palm - three seeds.

A snort of air escaped his nostrils.   "Good ! Good !" He seemed preoccupied. 

"Good!   You do that!"   He strode off.   "Come!" 

She watched him, then followed, stopping repeatedly to gather:  gather and plant;  gather;  gather and plant;  and wondering why he sometimes stopped with pain in his eyes, as if trying to remember something, oblivious of the demon which drove him. 

Build.   Must build.   Yes, that's it.   The glow. 

No.   That's not it.   Destroy. 

Build.   Yes, that's it.   The glow. 

No, that's not it.   Destroy. 

Build.   Yes, that's it.   No. Not yet not quite yet.   Destroy. 

Build.   That's it.   No.   Not quite.   Destroy.

Build.   That's it.   Not quite.   Destroy.   Build.

James Bryce

The paintings are Adam and Eve by Dόrer (1507) and are reproduced from Mark Harden's excellent Artchive